More U2 Deluxe Remasters

Hot on the heels of U2's The Joshua Tree deluxe remaster comes similar offerings for the band's first three albums. No DVDs this time, but if you're fanboy #1 like me, you can order an exclusive version from Amazon which includes an outer shell to hold them all (plus space for a 4th, undoubtedly the September release of Under a Blood Red Sky) and poster. Also available are 2-disc sets (2nd disc is B-sides and rarities), single CD (album only), or limited 180 g vinyl.

If the sound quality mimics what we got on The Joshua Tree last November, it'll be a good purchase. Available July 22 (Amazon's special set pushed back one week to the 29th).

Remember Tomorrow

The Metallica hype machine has been in fifth gear as their new album, Death Magnetic, approaches release. So I felt it was apt to review their first official release with Rob Trujillo on bass: a cover of Iron Maiden's "Remember Tomorrow". Currently you can listen to a lo-fi version of it here.

Some background: although I'm a big fan of the covers they released on their Garage Days EPs, plus tracks like Queen's "Stone Cold Crazy" from their Black Album days, I was less than thrilled with the new work on Garage Inc. (i.e. the first disc; except for the Motorhead gunk, the second disc was all good, re-released material), which seemed just a bit too by the numbers. Their cover of Ramones classic "53rd & Third" is reasonable, but it pales big-time compared to the original.

This is why I was pleasantly surprised with their version of "Remember Tomorrow". Interestingly enough, they Metallica-fied it quite a bit by adding a "Creeping Death" style intro and outro, plus "Sanitarium" style leads during the quiet bits. Lars Ulrich goes rather nutty with the drums (especially the snare, but at least it doesn't make a St. Anger style clank sound), but I feel it works more than not. James Hetfield is crooning through most of the song, which does good homage to Paul Di'Anno's original take.

The riffage is decent, although I would've preferred a bit more crunch to the guitar sound. The production is very dry, a la Justice, but fortunately the guitars aren't thin. The bass playing is acceptable, but to be honest, this song isn't exactly a typical Steve Harris thump-a-thon, so any judgment on "the new guy" will have to wait for Fall.

I am, sadly, disappointed with Kirk Hammett's solo. It's decent enough, but it doesn't have the fire of Dave Murray's original, nor does it mimic that lead in any way. Which is surprising, since Kirk is more than capable of dishing out some awesome tributes to other players' solos (granted it's old, but ye gawds his leads in "Am I Evil?" are incredible). Where's the feel?

Summary: song good, solo meh. Kirk: please step it up, and maybe there will be something to talk about when Death Magnetic gets released.

Journey's Revelation

I'm not too ashamed: I like Journey. If you grew up in the late 70s and early 80s they were a staple, thus, almost impossible to ignore if you went anywhere near a rolling skating rink. Steve Perry could make the ladies swoon and Neal Schon played guitar licks that rocked. What's not to like?

Sadly, over the years Journey's had some problems with their main frontman (Perry was not their first singer), which hasn't helped them any considering Perry is one of the main reasons the band shot to gargantuan popularity levels. In his absence they've had a few clones step up to the microphone, but they've all fallen by the wayside. Until the latest: Arnel Pineda. This Fillipino (yes; it boggles the mind) was hanging out singing cover tunes when Schon discovered him on YouTube (further boggling), flew him in for an audition, and subsequently hired him (now the mind wobbles). The buzz on Pineda and the band grew after Ellen DeGeneres talked about them on her daytime show, then featured Journey as musical guests. They rode this wave and subsequently released their newest album, Revelation, as a three disc Wal-Mart exclusive. This is where I couldn't ignore them any longer, and got the set to see what all the nuttiness was about.

For $11.98, if nothing else, one is getting their money's worth. The Revelation package is a fold-out digipak which includes fabulous classic 70s era Journey artwork, two music discs, plus a live DVD. In my opinion the most interesting piece of the set is the second music disc, which holds fifteen of their greatest hits, all instruments re-recorded, and all re-sung by Pineda. This disc is instantly dismissed by the fans for the obvious reasons (the chief one being, "Unnecessary."), but I find it fascinating simply because of the very reasons they hate it: these redos are beyond similar to the original recordings.

If you play any of the tunes for a person who is not a rabid Journey fan, they'll assume it's the golden oldie. Yes, the playing is that exact and the singing is eerily similar to Perry, straight down to his well-known vocal inflections. Heck, the order of the songs even mimics the order that's on their original Greatest Hits release which debuted twenty years ago in 1988. Whether it was created so they would have less trouble releasing the songs for promotional use, or because Wal-Mart insisted on it being made (most likely a combination of both), what's clear is that the band is still capable of playing their old material well, and their new singer is firmly up to the task. Some songs fare better than others, so it won't make you stop listening to the original version of "Separate Ways", but this is by no means a cringe worthy effort.

The live DVD features a recent show in Nevada, and proves that in concert the band is still no slouch. The songs are fiery (it amazes me how well Schon can still play the leads for these tunes) and Arnel is running all over the stage, emotionally belting out the songs. Journey seems invigorated by their new younger bandmate, and the DVD is definitely a worthwhile watch.

The CD of new music is equally fascinating. Here is where Arnel is not quite as Perry-ish. It's clear to me after listening to the music numerous times that he simply sounds a lot like Perry, but is in fact his own singer to boot. The disc starts off mightily with the lead single "Never Walk Away", a rocker in the same mold as "Be Good to Yourself", with a nice riff, cleanly executed leads, and an emotional chorus (complete with Journey's trademarkable vocal harmonies) that you can't help but sing along to. The next four tracks shouldn't disappoint any Journey fan, since they include "Lights"-esque ballads ("Like a Sunshower"), rapid-fire modern fare ("Wildest Dream"), and sweeping arena rockers ("Faith In the Heartland").

The music wobbles a bit at the halfway point. Their second single, "After All These Years", aims for the heights of ballads like "Open Arms" and "Faithfully", but comes up short. The lyrics are respectable, but the music doesn't reach the same catchiness, and even though one can feel the build, it never pays off the way their better known ballads do. The next three songs teeter as well, and I can't help but feel it's all rather Survivor-like. Unfortunately, it's in an "I Can't Hold Back"/"The Search Is Over" sort of way, not an "Eye of the Tiger" sort of way.

The album does close with a wonderful instrumental, "The Journey (Revelation)". The beginning of this piece starts with a tribal flavor similar to Eric Johnson's "Venus Isle" or "Friends", with leads that remind one of Eric's live intro to "Cliffs of Dover". It's too bad that a lot of Journey fans don't seem to enjoy this, because I feel it's a great instrumental, proof of Neal Schon's prowess as a musician, and the tune clearly demonstrates how underrated he is as a guitar player.

Don't let some of the failures of the second half sway you. I heartily recommend the set. We all remember Journey for their hits, but they shouldn't be held exclusively to that standard. I give them credit for this release, even if it is a bit by the numbers. But I ask every one of you: do you really want Journey to grow and develop that much?

(adjusted up 1/2 star for value of package)

Iron Maiden Covers CD to Accompany Kerrang!

Much like Kerrang's Remastered CD from 2006, which was a bunch of artists covering Metallica's Master of Puppets, issue 1219 will include Maiden Heaven, a disc containing covers of Iron Maiden classics. The most talked about one of the bunch will likely be Metallica's cover of "Remember Tomorrow", which, judging from the sound clip on Kerrang's web site, doesn't sound so bad. I'm actually quite intrigued to hear Dream Theater's cover of "To Tame a Land".

The magazine is easily found in the UK, but for those of us in the USA, our best bet might be to order it direct. It'll cost about $8.50 shipped.